Here’s more advice about developing your story’s setting. I’ve discussed setting in several previous blogs: That Can’t Happen Here, Plan your setting, and Creating setting. So you’d think, what else can possibly be said about setting? How about making your setting a character? Making it so full and richly detailed, and integral to the wayContinueContinue reading “Setting as Character”
Category Archives: Resource
When Characters Won’t Act
Last week in my Build-A-Book Workshop, we were discussing developing main characters and a story plot. Previously on this blog, I have discussed plotting in Plan Your Story. That was a bit of “down and dirty” to get ready for NaNoWriMo. Figure out a character goal and several obstacles along the way that your characterContinueContinue reading “When Characters Won’t Act”
Scene building: Endings
Listen to this post on Spotify. Today’s topic is not about how to end your story, but rather how to end a scene so that it carries the reader through the emotions just riled up and makes them turn the page eagerly to see what happens next. A scene should unfold at a pace thatContinueContinue reading “Scene building: Endings”
Editorial Advice
This week in editorial advice tweets. Questions about POV and MC (main characters; protagonists) https://twitter.com/lz_edits/status/1641759760130224128 This first question asks about when to introduce the MC. My short answer is above, but here’s a longer discussion because 256 characters is never enough. Point of view (POV) is the main vehicle for connecting readers to a characterContinueContinue reading “Editorial Advice”
Scene building: beginnings
Listen to this post or others on Spotify or Anchor.fm I’ve talked previously about how to structure a scene. The beginning, or entre, should start as close to the moment the POV character starts pursuing their scene goal. But when exactly is that? And how do you decide whether to start with narrative, like describingContinueContinue reading “Scene building: beginnings”
Setting: That can’t happen here
A discussion of why setting matters in fiction Do you have any idea where any of these stories takes place? Asking these questions about a blurb, you can see how important setting is to fiction. With the exception of the last one, retreating to a beach house, there’s very little about setting in any ofContinueContinue reading “Setting: That can’t happen here”
Describing character: gain perspective
Listen to this post and more on Spotify or Anchor.fm You, dear writer, have all those wonderful character sheets filled out with demographics: Jamie Dotter is, 29, 5’11”, blonde, Nordic features, muscular build, college degree from Wellsley College, law degree from Harvard, in her fourth year working as a lawyer with Grant, Hardy, and Iglesias,ContinueContinue reading “Describing character: gain perspective”
Scene building using goals
Listen to this blog on Spotify. I previously discussed the structure of a scene is based around conflict and overcoming it. But conflict and obstacles comes in many forms. They can be as simple as encountering a child’s fallen toy on the floor while crossing the room. What really guides the scene and makes itContinueContinue reading “Scene building using goals”
Self-Editing Guide is live!
It’s alive! Available now in Paperback or Ebook, Self-Editing Guide: A workbook for the DIY fiction author, is now available. Proof prints have been checked, and the “publish” button has been pushed. Just in time, I hope, for the NaNoWriMo authors all ready to dive into their manuscripts from November and turn them into theirContinueContinue reading “Self-Editing Guide is live!”
Structuring a Scene
Listen to this blog post on Spotify. The scene is the basic building block of any story. It contains actions and reactions, and dialogue (inner and outer). A scene has ONE point of view, and takes place (with few exceptions) while the POV character moves within a single setting. On TikTok, I posted an overviewContinueContinue reading “Structuring a Scene”
